Material

Georg Witte „Rhythmus, Organisation, Form: Vortrag auf der Konferenz „Organisation der Wahrnehmung“, ICI Berlin, 19.01.2018

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Georg Witte „Rhythm, Organization, Form“: Lecture at the Conference “The organization of perception”, ICI Berlin, Jan 19, 2018

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Ekaterina Tewes„Revising the Cinematic Projection, Modelling the Proletarian Method of Production. Solomon Nikritin’s “The Museum of Static Film” (1927)Lecture at the Filmforum 2018 Conference EXPOSING THE MOVING IMAGE. The Cinematic Medium across World Fairs, Art Museum, and Cultural Exhibitions, Gorizia, February 28th – March 3rd 2018 

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Ekaterina Tewes „Transmitting Body: Electro-Organism as Manifesto, Painting, and Body: NECS-Conference “Sensibility and the Senses” at the Université Sorbonne Nouvelle Paris 3, July 2017

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Georg Witte „The Permeated Man“: NECS-Conference “Sensibility and the Senses” at the Université Sorbonne Nouvelle Paris 3, July 2017

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Stage design by M. P. Bobyšev for Evreinov’s „The theatre of the soul“ (1912)

 

Georg Witte „`Impuls´: Zum Zusammenhang von Rhythmus und Energie in der russischen Avantgarde“: Vortrag auf der Konferenz „Energiediskurse der russischen Moderne“, Staatsuniversität St. Petersburg, Smolny – Fakultät der freien Künste und Wissenschaften, Juni 2017

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Georg Witte „`Drumming preparation´: Peotics and politics of rhythm in the Soviet avant-garde“: Conference “The Culture of the Russian Revolution and Its Global Impact: Semantics – Performances – Functions”, Graduate School for East and Southeast European Studies, Ludwig Maximilian Universität München, June 2016

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